Great Scene: “The Big Lebowski”

The Dude watches as Walter bids a fond farewell to Donnie and his ashes.

October is Great Scene month at Go Into The Story whereby we put a spotlight on notable movie scenes, then analyze and discuss them. Their structure, themes, character dynamics. Why do they work? What are their narrative elements that elevate them to greatness? Let’s face it: In a fundamental way, screenwriting is scene-writing, so the more we learn about this aspect of the craft, the better.

Today’s suggestion by James Schramm: The 1998 movie The Big Lebowski, written by Ethan Coen and Joel Coen. IMDB plot summary:

“Dude” Lebowski, mistaken for a millionaire Lebowski, seeks restitution for his ruined rug and enlists his bowling buddies to help get it.

In this scene, Walter Sobchak (John Goodman) and The Dude (Jeff Bridges) bid farewell to Theodore Donald ‘Donny’ Kerabatsos (Steve Buscemi).

Here is text of Walter’s benediction:

Donny was a good bowler, and a good man. He was one of us. He was a man who loved the outdoors… and bowling, and as a surfer he explored the beaches of Southern California, from La Jolla to Leo Carrillo and… up to… Pismo. He died, like so many young men of his generation, he died before his time. In your wisdom, Lord, you took him, as you took so many bright flowering young men at Khe Sanh, at Langdok, at Hill 364. These young men gave their lives. And so would Donny. Donny, who loved bowling. And so, Theodore Donald Karabotsos, in accordance with what we think your dying wishes might well have been, we commit your final mortal remains to the bosom of the Pacific Ocean, which you loved so well. Good night, sweet prince.

Such a great scene and for many reasons:

• Let’s start with the fact Donny’s ashes are inside a Folger’s coffee can.
• How about Walter veering off into yet another one of his diatribes about the Vietnam War, then the awkward segue back to the matters at hand: “These young men gave their lives. And so would Donny, who loved bowling.” Yes, Walter went far afield, but he brought it back… with bowling.
• Then the touching end. The Dude blows up at Walter about bringing up Vietnam, then Walter embraces the Dude, and then the Dude reveals what’s underneath his anger: Sadness at losing Donny.

What is ironic in the extreme is that Donny, who always seems to be behind everyone else about everything, a true innocent, he is the one who gets whacked. It’s not fair. Then again, this is the Coen brothers’ universe and ‘fair’ has little to do with anything.

What’s your perspective on this scene? Why does it work? What do you take away from it?

To read all of the entries in the Great Scene archive, go here.

Thanks for the suggestion, James! If you have an idea for this Great Scene series, check out the responses people have made so far here. If you have a different scene in mind you think would be worthy of analysis, please post it there or in comments for this post. Thanks!