Movie Story Types: The [Blank] From Hell

Scott Myers
2 min readJul 10, 2013

In Hollywood movie circles, there are genres like Horror or Science Fiction, cross genres like Action-Thriller or Drama-Comedy, and sub-genres like Romantic Comedy or Mystery Thriller.

Then there are story types, a shorthand way to describe a specific narrative conceit that is almost always tied directly to the movie’s central concept. They can be found in any genre, cross genre, or sub-genre.

In July for this series, we will explore 31 of these movie story types, one each day. Knowledge about and awareness of these story types can be a boost not only to your understanding of film history and movie trends, but also as fodder for brainstorming new story concepts. Mix and match them. Invert them. Gender bend them. Genre bend them. Geo bend them.

Movie story types exist for a reason: Because they work. Hopefully this series will help you make them work for you.

Today: The [Blank] From Hell.

The basic idea is that the Protagonist (and often their family / loved ones) intersect with a character who starts off as seemingly normal, then turns out to be a threatening presence. Examples include:

* Fatal Attraction (1987): The mistress from Hell

* Pacific Heights (1990): The renter from Hell

* Sleeping With The Enemy (1991): The husband from Hell

* The Hand That Rocks The Cradle (1992): The nanny from Hell

* The Temp (1993): The temp assistant from Hell

* The Crush (1994): The teenage “puppy love” from Hell

While often a thriller, this story type can also be approached as a comedy:

* Problem Child (1990): The adopted child from Hell

* The Housesitter (1992): The housesitter from Hell

* Beethoven (1992): The family pet from Hell

* Monster-In-Law (2005): The mother-in-law from hell

The core psychological dynamic at work is fear of stranger, reaching deep into the oldest parts of our ‘lizard brain’ where the focus is on personal survival and any outsider represents a potential threat. On the thriller front, they make for great date movies. Fatal Attraction, which did over $320M B.O. worldwide, is a classic example — the male moviegoer gets to fantasize about having an affair while the female has the opportunity to elbow the dude with a big fat, “See, this is what will happen if you cheat on me, find some crazy woman who’ll stalk your family and boil your rabbit!”

What other qualities and dynamics do you think are present these type of stories? What other movies of note belong in the list?

See you in comments to discuss today’s movie story type: The [Blank] From Hell.

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